About

Adrea Davina Beres

Artist | Educator | Herbalist | Therapist

Living and making on the North Shore of Lake Superior in Grand Marais, MN.

The Name

In case you were wondering, there is no N in my first name. It's pronounced like the Adriatic Sea, which would lead one to believe it should be spelled Adria, but it is what my mother chose. My mother put a lot of thought into my first and middle name, both holding significance related to my father. My father died when I was only 5 and my mother died when I was 36, so as I continue to navigate the world without them my name is something that I hold very dear to my heart. So here I am with an odd name with an odd spelling, and I wouldn't have it any other way.

Ceramics Background

My first encounter with ceramics was about 30 years ago at the age of 15 and I immediately fell in love. I was fortunate and privileged to have the opportunity to study ceramics all 3 years of high school. I had a loving teacher whom I learned the basics of functional wheel-thrown pottery, as well as the very exciting and unpredictable Raku and pit firing process. I went on to study ceramics for a few years at the University of Minnesota where I additionally learned clay and glaze formulation, hand building techniques, and how to fire electric oxidation, gas reduction, and soda kilns. 

Education

I completed my Bachelor's degree in Health Education, and later a Master of Social Work degree from Augsburg University, eventually earning my licensure as an Independent Clinical Social Worker (LICSW). I worked in the mental health field as a case manager, program manager, and therapist in Minneapolis, MN for about a decade until moving to Grand Marais. I am also a self-taught (mostly) sterling silver jewelry artist, and I am trained in clinical herbalism. Both are passions I hope to incorporate more into my ceramic pieces.

Current Work

Currently, my primary artistic focus is on creating contemporary, decorative and functional pottery made from porcelain and black stoneware that is fired to cone 6 in an electric, oxidation kiln. I make my work both on the potters wheel and handbuilt with slabs and coils. I frequently decorate my work using Mishima, and slip trailed or screen printed images that I transfer onto the clay.